Sheridan@50: A creative history for a creative campus

Creative methodologies for understanding a creative industry

Objectives The production of innovation or novelty in creative interactions is normally represented in research either as normative patterns of behaviour (being creative) or as post-hoc empirical objects (new firms, new products etc.) The structure of creative practices, i.e. what particular forms of interactivity produce successful novelty (i.e. which becomes ‘normal’ and not novel, which crea...

Creative Leaf: A Creative iStar Modeling Tool

iStar models allow users to capture high-level social requirements, including alternatives and qualities. Typical approaches advocate discovering model content through traditional Requirements Engineering (RE) elicitation methods, such as interviews, observations, and domain documents. For the typical, familiar space of requirements, such techniques may be sufficient, but stakeholders may not a...

Creative Foraging: A Quantitative Paradigm for Studying Creative Exploration

Creative exploration is central to science, art and cognitive development. However, research on creative exploration is limited by a lack of high-resolution automated paradigms. To address this, we present such an automated paradigm, the creative foraging game, in which people search for novel and valuable solutions in a large and well-defined space made of all possible shapes made of ten conne...

Drug Switching, a Creative Approach to Leukemia Therapy

A CREATIVE HISTORY OF THE RUSSIAN INTERNET by Eugene

A CREATIVE HISTORY OF THE RUSSIAN INTERNET